I'm moving offices.
Good-bye, Hudson view.
I've spent about a week or two packing up, parceling out my files, and sitting in meetings where the topic inevitably became how everyone was going to function without me. It's surreal to say the least. But, nothing compared to yesterday when my office manager told me that I'd have to let corporate services know that they should be bringing my chair down to my new office.
Apparently, I've stepped into the pages of Then We Came to the End. Weird.
Wednesday, February 25, 2009
Monday, February 23, 2009
As Planned
courtesy of Frank O'Hara
because, at this point, it's been well established that his are the poems that I wish I wrote. And, because, well, it's been a awhile since I've posted.
It's been a strange few weeks. I'll write more soon, once I feel like reflecting.
In the mean, herewith:
After the first glass of vodka
you can accept just about anything
of life even your own mysteriousness
you think it is nice that a box
of matches is purple and brown and is called
La Petite and comes from Sweden
for they are words not their feelings
or what they mean and you write because
you know them not because you understand them
because you don't you are stupid and lazy
and will never be great but you do
what you know because what else is there?
Wednesday, February 11, 2009
This Shape of Things We're In
sur·re·al (sə rē'əl, –rēl'), adj.
1. having the disorienting, hallucinatory quality of a dream; unreal; fantastic 2. the period spanning from July 2008 through January 2009, with particular focus on mid-October through early December; see also the days surrounding Christmas and the new year 3. being not-quite-sober and telling your not-quite-boyfriend that your best friend and his best friend's husband are having an affair, then watching the subsequent events unfold, not knowing what to do; finding yourself using phrases like "moral compass" in complete earnestness; finding yourself dealing with fall-out many months later and still being unsure what you should do and/or say 4. having repeated circular conversations about subjects including, but not limited to, red suitcases, the status of a relationship that has long since ended but that you are perpetuating in some ways because you are simply too raw about all of the other things going on in your life to enact the decisions you know that you need to and that would be healthier for both of you, and seats assigned at a kitchen table 5. hearing the phrase "8 to 12 months" and trying to picture what your life will be like at that point, hoping that it will be much the same. well, perhaps with more positive things thrown in for good measure 6. watching your job get parceled out before your eyes and being forced to attend meeting after meeting to weigh in 7. realizing that there's a lot more that you could add to this list, but that you don't have time because you need to work since your dead-end job hasn't been parceled out quite yet 8. realizing that you made this list in the first place sur·re'al·ly, adv. —sur·re·al'i·ty (–al'i tē), n.Tuesday, February 10, 2009
Insomnia
Easing myself to sleep, but you won't
let me. You, siren who keeps calling me back, holding my wrist.
And I obey, letting hours pass,
too much wine, thinking
beside me is too far. And, yet, you remain clever,
too close to dream of me.
I ache, you dream, but only of indian summers and nighttime
when it's at its most aggressive, pressing down, the air growing crisp.
You dream, grow wistful, woozy,
as if the alcohol's in you, instead. You wouldn't recognize me,
not in your sleep.
You sleep soundly, and we grow further and further apart.
I watch the shadows, formed moonlight. No courage.
The sound of your breathing bears down.
let me. You, siren who keeps calling me back, holding my wrist.
And I obey, letting hours pass,
too much wine, thinking
beside me is too far. And, yet, you remain clever,
too close to dream of me.
I ache, you dream, but only of indian summers and nighttime
when it's at its most aggressive, pressing down, the air growing crisp.
You dream, grow wistful, woozy,
as if the alcohol's in you, instead. You wouldn't recognize me,
not in your sleep.
You sleep soundly, and we grow further and further apart.
I watch the shadows, formed moonlight. No courage.
The sound of your breathing bears down.
Sunday, February 8, 2009
Couldn't have said it better myself.
It's been a long weekend. Far too long.
Perhaps it's the 30 or so hours of small talk that I've made over the past 3 days, the several panicked phone calls, misprints contended with and the countless boxes that I've unpacked/shuffled/repacked/maimed myself with. Call it over-dramatizing and/or exhaustion, if you like. Whatever it is, I'm not inclined to do much else but sit and decompress at the moment.
For me, this means revisiting old favorites. And, sharing them.
So, another quote below. It's a good one, I promise.
"Official histories, news stories surround us daily, but the events of art reach us too late, travel languorously like messages in a bottle.
Only the best art can order the chaotic tumble of events. Only the best can realign chaos to suggest both the chaos and order it will become.
Within two years of 1066, work began on the Bayeux Tapestry, Constantin the African brought Greek medicine to the western world. The chaos and tumble of events. The first sentence of every novel should be: 'Trust me, this will take time but there is order here, very faint, very human.' Meander if you want to get to town."
-Michael Ondaatje, In the Skin of a Lion
Perhaps it's the 30 or so hours of small talk that I've made over the past 3 days, the several panicked phone calls, misprints contended with and the countless boxes that I've unpacked/shuffled/repacked/maimed myself with. Call it over-dramatizing and/or exhaustion, if you like. Whatever it is, I'm not inclined to do much else but sit and decompress at the moment.
For me, this means revisiting old favorites. And, sharing them.
So, another quote below. It's a good one, I promise.
"Official histories, news stories surround us daily, but the events of art reach us too late, travel languorously like messages in a bottle.
Only the best art can order the chaotic tumble of events. Only the best can realign chaos to suggest both the chaos and order it will become.
Within two years of 1066, work began on the Bayeux Tapestry, Constantin the African brought Greek medicine to the western world. The chaos and tumble of events. The first sentence of every novel should be: 'Trust me, this will take time but there is order here, very faint, very human.' Meander if you want to get to town."
-Michael Ondaatje, In the Skin of a Lion
Thursday, February 5, 2009
Absolutely Alice
And the Gryphon added "Come, let's hear some of your adventures."
"I could tell you my adventuresbeginning from this morning," said Alice a little timidly; "but it's no use going back to yesterday, because I was a different person then."
-Lewis Carroll, Alice's Adventures in Wonderland
"I could tell you my adventuresbeginning from this morning," said Alice a little timidly; "but it's no use going back to yesterday, because I was a different person then."
-Lewis Carroll, Alice's Adventures in Wonderland
Tuesday, February 3, 2009
[untitled]
I am not the kind of girl you'd take home
to your mother. Had she seen me last night,
she would not have approved. I wandered
glassy-eyed, voice as smoky as the bourbon I sipped,
cracking from laughing too loud,
trying to get you to notice me.
What would she say? And
would you listen? Or just tilt your head back, smile,
let light catch in your hair?
Did you even see? Or, were you too busy
talking film with the woman at the bar?
Too red lips forming a question mark on her glass,
fingerprints leaving it grease-streaked.
You probably thought she was beautiful, and
I'm sure she was.
Would you light her cigarette? Lecture
her about the dangers of carbon monoxide? The thinning
ozone, how it's causing the polar ice caps to melt? The
rising cost of living and flour and gas and, well, everything?
Is that what beauty is?
If you stare at the sun too long,
is all you see blinding whiteness?
I bet you could get some great pictures.
Not like the one on your first license that
you won't show to anyone.
Do you have your passport?
I want to travel the world and
see far-flung places so that
I have stories to tell.
to your mother. Had she seen me last night,
she would not have approved. I wandered
glassy-eyed, voice as smoky as the bourbon I sipped,
cracking from laughing too loud,
trying to get you to notice me.
What would she say? And
would you listen? Or just tilt your head back, smile,
let light catch in your hair?
Did you even see? Or, were you too busy
talking film with the woman at the bar?
Too red lips forming a question mark on her glass,
fingerprints leaving it grease-streaked.
You probably thought she was beautiful, and
I'm sure she was.
Would you light her cigarette? Lecture
her about the dangers of carbon monoxide? The thinning
ozone, how it's causing the polar ice caps to melt? The
rising cost of living and flour and gas and, well, everything?
Is that what beauty is?
If you stare at the sun too long,
is all you see blinding whiteness?
I bet you could get some great pictures.
Not like the one on your first license that
you won't show to anyone.
Do you have your passport?
I want to travel the world and
see far-flung places so that
I have stories to tell.
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